VENICE BIENNAL 2023
> OPERA APERTA WORKSHOPS at Palazzo Michiel/ European Cultural Center Venice
Workshop: HACK & DESIGN YOUR ROLLATOR Demedarts by Ruth Mateus-Berr and Alexandra Rusz
12.6.2023
Have you always had different ideas about orthoses (medical devices)? With us you can realize your ideas together. You can design your ideal rollator with us on paper and with colors. Or just by telling us your wishes. We'll help you with that!
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> OPERA APERTA OPEN STAGE by Georg Russegger at Palazzo Michiel/ European Cultural Center Venice
The open stage workshop is a pre-event to the Opera Aperta Streams. It acts as a platform for a vivid and progressive format of reflection and discussion. The open space workshop will be moderated and will apply methods from “the art of hosting” in a “bar-camp” framework. The participants are invited to discuss the topic of the following live-stream with invited experts from inter- and transdisciplinary fields (stakeholders, artists, scientists, curators and organizers). Curated questions from the discussion will fuel the Opera Aperta Stream in the evening. Besides that, the outcomes of the discussion will also be published in a dossier of the Wiener Zeitung.
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> OPERA APERTA Panel-discussions/Live-Streams at Palazzo Michiel/ European Cultural Center Venice hosted by the Wiener Zeitung
The Opera Aperta Streams are panel-discussions hosting interdisciplinary experts and artefacts to present, discuss and reflect. The panel is dedicated to the multi-perspectivity of contemporary art and the constructivism of education as an attribute of democracy. The aim is to reflect on the meaningof art and education in so-called post-democratic times.
Transforming the City: Accesibility:
https://www.youtube.com/watch?v=l7B7Zr61e_M
12.6.2023
Panelists:
Nilufar W. Royce, Austrian architect, guest lecturer at the Technical University of Vienna, Center for Didactics of Art and Interdisciplinary Education, University of applied Arts Vienna
Eva Sommeregger, Architect and Researcher, Academy of Fine Arts Vienna and LMDA Art Academy Latvia
Ruth Mateus-Berr, Univ.-Prof. Dr. phil. Mag. art. Head of Center for Didactics of Art and Interdisciplinary Education, University of applied Arts Vienna
Moderator: Georg Russegger, Dr. phil. Mag. art., Head of Centre for Knowledge Transfer, Academy of Fine Arts Vienna
Facilitator: Wolfgang Renner, Dr. h.c. MSc Head of Wiener Zeitung Akademie, Wiener Zeitung
VENICE BIENNAL 2022
> OPERA APERTA WORKSHOPS at Palazzo Michiel/ European Cultural Center Venice
Workshop: How Design-Thinking can educate a democratic mindset by Ruth Mateus-Berr
April 25th, 2022
Design-Thinking as an innovative method of teaching and learning will be applied with workshop participants (artists, researchers, visitors, …) to have a hands-on experience of how artistic thinking and action can shape and expand the democracy of the 21st century. Participants will learn and understand design-thinking and see examples of artistic projects becoming actors in democratic movements.
Workshop: The Less Premium Work/Shop by Pamela Bartar
April 25th, 2022
In recent times, the ‘limits to growth’ gure has received a great deal of attention, mostly from economic and ecological perspectives, but has also created a new discourse on the aesthetic dimensions of degrowth, in the hope that this reveals new insights into the potential of this concept. This workshop is based on a co-operative inquiry on the ‘ (a lovely Venetian term for trash) taking its starting point at the specic environment of Palazzo Mora, a quasi sophisticated site in the historic centre of Venice. The workshop will be aligned with a short video condensing micro-impressions of an individual research on the polar relationship of growth/wealth and messiness/garbage.
#Performance/Artist Talk Metamorphosis by Julia Fromm & Mauricio Ianes
April 27th | Palazzo Mora | 4—5 pm
‘Metamorphosis’ by Julia Fromm and Maurício Ianês investigates the relationship between culture, nature, language, and ideological appropriation. The transformation through perception and spatial alienation is chronicled in the artwork. By explicitly remaining in their fixed positions, the artists adhere to a rigorous script with restricted forms of expression, much as the fixed point personified by the artist (Fromm), entangled in the rules, and the ramifications thereof (Ianês) resonating with the actions of the audience as a mediator. Simultaneously, the transformation of a system that encompasses multiple ideas and practices allows the artists to reimagine a world of tomorrow, in a post-Covid context when the current norms are being rewritten. Our world, heading towards unprecedented difficulties, calls for a reversal of the downward spiral of calamitous interactions pleading for an artistic intervention.
#Performance insitu ani·motion by Ivan Pantelic & Bernd Rohrauer
June 11th @ Palazzo Mora, 2nd Floor NFT Room | starting 3pm
June 12th @ Palazzo Mora, 1st Floor | starting 11pm
How can we use media as a participatory tool to simultaneously create impact on space and people? This project aims to answer this question. Understanding space as an outcome of social processes, insitu ani·motion is developed as a method that enables participatory performative public space interventions by collective video-making. How is this achieved? By creating conditions for real-time video-making onsite collaboration: a technical tool provides a platform which entices passers-by to change their routines, get together and create a collective stop motion-based animated film on site, screen it on the surrounding surface and thus contribute to placemaking by changing its use and appeal. This challenges the conventions of mediamaking by blending its different phases which, conventionally, would be separated in time: the production, post-production and screening coincide. Neither the outcome itself is fixed, nor are the roles of partakers, simultaneous filmmakers, editors and spectators.
#Concert the touch of a heartbeat
June 12th, 2022 | 4 pm
Agnes Haider: Keys; Andreas Broger. Reeds; Dietmar Flosdorf: Strings; Raphael Vorraber: Drums
Main Hall of Palazzo Mora, Strada Nuova #3659, 30121 Venezia, Italy
Workshop: ART & INCLUSION - TURNING THE WORLD UPSIDE DOWN by Griessner Stadl
Time: June 13th 10-12am
When we speak of inclusion of people with disabilities, we mostly consider increasing their visibility and their right to a place in society. With the interdisciplinary project TURNING THE WORLD UPSIDE DOWN we investigate the possibilities of collaborations between artists and people with mental disabilities. The aim of our work is not for artists to bring their work to the world of people with disabilities – rather people with disabilities should bring their unique perspectives, approaches, and questions to the table and in that way change the perspectives and processes of artists. Our aim is an exchange of competences between equals. We established a theater/performance ensemble of artists with disabilities in collaboration with art association GRIESSNER STADL, LEBENSHILFE Murau and the theater director FRANZ-XAVER MAYR. We invite anybody interested to take part in our regular ensemble/performance training program and workshops. The participants are also invited to reflect and discuss our work. Those who want to participate in our training/workshops: please bring a favourite song/piece of music and a favourite item of yours.
Workshop: EMPATHY : BEING TOUCHED by Demedarts
Time: June 13th, 1.30-3.00 pm
We offer visitors (ALL are welcome) a sensual experience: in the first room we engage our visitors in creating a mobile, a moveable sculpture, as a visual reflection of positive memories. On location and using different materials, participants can give their mobile an individual appearance and haptic feel. Balancing these mobiles, the participants are interacting with the objects between the musicians, letting them interpret the visual objects into sounds, melodies and rhythms as graphic notation. Reflect- ing these sonorous associations, music empathizes with the arts and vice versa.
Workshop: NAVIGATE CANCER THROUGH ARTISTIC ROADMAPS by Art4Science
Time: June 13th, 3.30-5.00 pm
Cancer, specifically when affecting children, evokes compassionate emotions, fear, and helplessness. Onthe other side, modern biomedical science has achieved enormous progress towards a better understanding of the disease and improved cure of patients. Although potentially providing hope to patients and their relatives, this aspect of the can- cer problem is too complex to be easily understood. Therefore, there is a big gap between the emotional and the rational perception of the disease. Artistic practices may not only help to express emotions associated with cancer, but also provide orienta- tion to affected individuals by explaining complex scientific contents in a sensorially tangible form. According to the Art4Science concept, this work- shop will stimulate the generation of small pieces of art as roadmaps that may serve to navigate through complex scientific content using a pediatric bone cancer as an example.
Workshop: NEW INCENTIVES FOR PATIENT EMPOWERMENT by INTERACCT
Time: June 13th, 5.00-6.30 pm
The time of discharge from the hospital – although eagerly awaited – is a great challenge for young cancer patients and their families after stem cell transplantation. The transition from inpatient to outpatient care, where they will be fully responsible for their own care, may create many uncertainties and complications, making communication and exchange of information with their care providers exceedingly important. In this workshop we aim to generate new ideas to improve communication and motivation/compliance of children and adolescents: What new/special incentives could be offered to keep a young person motivated to cooperate with the clinic, even though they are suffering severely and are at constant risk of death or developing severe late effects?
#Movie Shows Glory to the Queen by Tamar Skhirtladze
June 18th, 2022 | 6.30 pm
AT/GEO/SRB 2020, 82 min
Leading us to Tbilisi, Georgia, Glory to the Queen reveals the interwoven biographies of the world chess heroes Nona Gaprindashvili, Nana Alexandria, Maia Chiburdanidze and Nana Ioseliani. It offers rare insight into their recent lives while at the same time exploring their lasting legacy. Today, they are aging women, ordinary and extreme, pedantic and free. The city, indeed the whole country, is still marked by them – even if these marks are slowly fading.
Although they played together as the Soviet Union’s Olympic team, they were also tough opponents and had not sat together at the same table for over 25 years. Glory to the Queen brings them together again in an encounter where memories emerge, the common history is recalled, and many differences come to light.
Workshop: survive by Constantin Gröbner, Anna Pech, Verena Plutzar, Moritz Matschke
August 29th, 2022
How to deal with the question of surviving under increasingly critical conditions? How to refuse to comply with cultural acceleration? To literally grasp conditions, one has to use more than their visual senses; to make conditions be different, one has to act with more than one being. survive is an interactive workshop about a collective way of slowing down the pace, about cultivating a piece of earth, about forgotten ways of focusing on our almost bare hands.
Workshop: Utopia/Dystopia of Digital Humanism by Gabriela Urrutia Reyes, Pia Scharler, Ruth Mateus-Berr
August 29th, 2022
The Austrian Heinz von Förster already put it in a nutshell many years ago: “Man is not a trivial machine”, and Nida Rümelin clearly states that “machines are not people.” The special nature of humans and their abilities must be considered in the context of digitalization. In other words, in the context of digitalization, the special nature of humans and their abilities must be given special thought and consideration. The aim of this workshop is to discuss what the greatest fears and challenges of digitalization are, but also the expectations. This topic is particularly interesting to discuss in Venice, a place where people from different nations, disciplines and orientations meet. This special composition of people will find answers to questions and raise new issues, which we want to further discuss during the livestream of the Wiener Zeitung. How can social values be promoted as prosocial and succeed in diverse and multicultural societies? And what is your opinion? Come and join us!
Workshop: Presence as a Strategy of Exploration by Ursula Reisenberger
October 17th, 2022
Participants of every walk of life, with or without artistic expertise, set out to explore “community” – a web of personal structures, woven together in a pattern of time, space and experience …
The city of Venice will be our vantage point – and the place of our research. After a brief introduction into body awareness, based upon the Polish theatre revolutionary Jerzy Grotowski, the group will venture out into the city, using their own bodies as an instrument of perception, reflection and action. Participants will contribute their readiness, alertness and playfulness to a collective process, leading the group to insights into the nature of “community”. Mostly in silence, we will collect impressions and experiences, interacting with the city and each other, our bodies slowly becoming part of a collective choreography. Presence, the conscious decision to be here and now, will provide access to our collective creative potential as well as to unexpected discoveries and solutions ...
Workshop ART & MEDIA ETHICS. A windrose for art and media by Wolfgang Renner
October 17th, 2022
Philosophy (Greek for ‚love of wisdom’) is the study of cognition and knowledge. A sub-discipline of it is ethics and in the field of applied ethics media ethics is anchored. The subject of ethics is morality and the theory of action according to the distinction between good and evil.
Media ethics deals with the morality of and in the media. Media are systemically relevant and have enormous social responsibility; they are the fourth pillar of democracy. But the world of media has changed almost apocalyptically due to the Internet. If the fourth pillar disappears, democracy will disappear. Media therefore need new allies, sources of inspiration for reflection and classification. Art would be predestined to take on this role, because art, with all its manifestations, has always been a moral protective force in humanism.
The goal of the workshop is to create a ‘windrose for art and media’ that conveys courage for innovation and a pioneering spirit.
Workshop/Screening: Expeditions to Hidden Worlds by Martina Fröschl & Alfred Vendl
October 17th, 2022
The visualization of the multiple problems humankind faces today is often the key to understanding and awareness. The Science Visualization Lab at the University of Applied Arts in Vienna, Austria, specializes in making invisible scientific phenomena visible using scientific imaging and datasets to enable art and science visual thinking, education and communication. Collaboration is very important for the projects of the interdisciplinary lab.
In the workshop, insights into the creation processes of computer-animated scientific visualizations which led to internationally exhibited or screened projects and are typical for the work of the lab are given. Interested participants might be able to create a visual data artifact.
Workshop: Turning The World Upside Down –Let’s celebrate life by Griessner Stadl
November 24th, 2022
When we speak of inclusion of people with disabilities, we mostly consider increasing their visibility and their right to a place in society. With the interdisciplinary project TURNING THE WORLD UPSIDE DOWN we investigate the possibilities of collaborations between artists and people with mental disabilities. The aim of our work is not for artists to bring their work to the world of people with disabilities – rather people with disabilities should bring their unique perspectives, approaches, and questions to the table and in that way change the perspectives and processes of the artists. Our aim is an exchange of competences between equals. We established a theater/performance ensemble of artists with disabilities in collaboration with art association GRIESSNER STADL, LEBENSHILFE MURAU, the theater director FRANZ_XAVER MAYR and costume designer KORBINIAN SCHMIDT. We celebrate life. We dress up in costumes and parade through the city, listen to our favorite songs, set off smoke bombs and bawl around. Why don’t you come along?
Workshop: Let’s talk about death by Vanessa Gruber
14-16 pm @ Palazzo Michiel
Ever been sad? Who hasn’t? Being sad or grieving, something we don’t talk about - emotions almost tabooed in our Western European society. But why? Aren’t mourning, sadness and death part of life? The workshop Let’s talk about death wants to go on a journey exploring death and the feelings associated with it in a new light, questioning, reflecting and talking about traditions, rituals and social interaction. The traces of our journey will be visualized in a collaborative work following our individual lines of experience.
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> OPERA APERTA OPEN STAGE by Georg Russegger at Palazzo Michiel/ European Cultural Center Venice
The open stage workshop is a pre-event to the Opera Aperta Streams. It acts as a platform for a vivid and progressive format of reflection and discussion. The open space workshop will be moderated and will apply methods from “the art of hosting” in a “bar-camp” framework. The participants are invited to discuss the topic of the following live-stream with invited experts from inter- and transdisciplinary fields (stakeholders, artists, scientists, curators and organizers). Curated questions from the discussion will fuel the Opera Aperta Stream in the evening. Besides that, the outcomes of the discussion will also be published in a dossier of the Wiener Zeitung.
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> OPERA APERTA Panel-discussions/Live-Streams at Palazzo Michiel/ European Cultural Center Venice hosted by the Wiener Zeitung
The Opera Aperta Streams are panel-discussions hosting interdisciplinary experts and artefacts to present, discuss and reflect. The panel is dedicated to the multi-perspectivity of contemporary art and the constructivism of education as an attribute of democracy. The aim is to reflect on the meaningof art and education in so-called post-democratic times.
Art, Education and Democracy:
https://www.youtube.com/watch?v=AngHxh6ZYaw
26.4.2022
Panelists:
Ruth Mateus-Berr, Univ.-Prof. Dr. phil. Mag. art. Head of Center for Didactics of Art and Interdisciplinary Education, University of applied Arts Vienna
Günther Ogris, MA, Managing Partner and Scientific Director SORA Institute for Social Research and Consulting
Eva-Maria Stadler, Univ.-Prof. Mag. phil. Vize-Rector for Exhibitions and Knowledgetransfer, University of applied Arts Vienna
Moderator: Georg Russegger, Dr. phil. Mag. art., Head of Centre for Knowledge Transfer, Academy of Fine Arts Vienna
Facilitator: Wolfgang Renner, Dr. h.c. MSc Head of Wiener Zeitung Akademie, Wiener Zeitung
Art & Social Impact:
https://www.youtube.com/watch?v=Tz_pEfEqEuc
14.6.2022
Panelists:
Ruth Mateus-Berr, Univ.-Prof. Dr. phil. Mag. art. Head of Center for Didactics of Art and Interdisciplinary Education, University of Applied Arts Vienna
Heinrich Kovar, Univ. Prof., PhD; Group leader “Mo- lecular Biology of Solid Tumors”, St. Anna Children’s Cancer Research Institute
Moderator: Georg Russegger, Dr. phil. Mag. art, Head of Centre for Knowledge Transfer, Academy of Fine Arts Vienna
Facilitator:Wolfgang Renner, Dr. h.c. MSc, Head of Wiener Zeitung Akademie, Wiener Zeitung
Art & Digital Humanism:
https://www.youtube.com/watch?v=Tz_pEfEqEuc
30.8.2022
Panelists:
Ruth Mateus-Berr, Univ.-Prof. Dr. phil. Mag. art. Head of Center for Didactics of Art and Interdisciplinary Education, University of Applied Arts Vienna
Irina Nalis-Neuner, University of Vienna, transformational psychologist, co-author of the “Vienna Manifesto on Digital Humanism”
Gabriela Urrutia Reyes, MA Visual Artist, Social Designer & Architect
Moderator: Georg Russegger, Dr. phil. Mag. art., Head of the Centre for Knowledge Transfer,
Academy of Fine Arts Vienna
Facilitator: Wolfgang Renner, Dr. h.c., MSc Head of Wiener Zeitung Akademie, Wiener Zeitung
Art & Media ethics:
https://www.youtube.com/watch?v=BBWxSK0SCMU
18.10.2022
Panelists:
Lucia Pedrana, Head of University Relations European Cultural Centre, Venice
Wolfgang Renner, Dr. h.c., MSc Head of Wiener Zeitung Akademie, Wiener Zeitung
Pia Scharler, Mag. art. Mag. ind. des. Designer, Artistic Researcher, Member of Center for Didactics of Art and Interdisciplinary Education, University of Applied Arts Vienna
Moderator: Georg Russegger, Dr. phil. Mag. art., Head of the Centre for Knowledge Transfer,
Academy of Fine Arts Vienna
Indicator: Ruth Mateus-Berr, Univ.-Prof. Dr. phil. Mag. art., Head of Center for Didactics of Art and Interdisciplinary Education, University of Applied Arts Vienna
Art & Diversity:
https://www.youtube.com/watch?v=R6Oy2e-t3pY
25.11.2022
Panelists:
Barbra Brunmair, Priv. Doz. Dr. St. Anna Children’s Cancer Research Institute
Ruth Mateus-Berr, Univ.-Prof. Dr. phil. Mag. art. Head of Center for Didactics of Art and Interdisciplinary Education, University of Applied Arts Vienna
Moderator: Georg Russegger, Dr. phil. Mag. art., Head of the Centre for Knowledge Transfer, Academy of Fine Arts Vienna
Facilitator: Wolfgang Renner, Dr. h.c., MSc Head of Wiener Zeitung Akademie, Wiener Zeitung
23.04.2022 — 27.11.2022
> EXIBITION: INTRA-ACTIONS | Palazzo Mora
April 23rd to November 27th | Opened daily 10 am — 6 pm, Closed on Tuesdays
Adress: Palazzo Mora, Strada Nuova #3659, 30121 Venezia, Italy
Intra-Actions: Existence is not an Individual Matter
The spatial installation "Intra-Actions: Existence is not an Individual Matter" at Palazzo Mora, Room #18, is the contribution of the Center for Didactics of Art and Interdisciplinary Education at the University of Applied Arts Vienna to the Venice Biennial 2022, curated by the European Cultural Center.
The installation was developed collaboratively with staff, alumni, and students of the Center for Art Didactics and Interdisciplinary Education, staff of the Science Visualization Lab (Prof. Alfred Vendl), students of the Digital Art Department (Prof. Ruth Schnell), and alumni of the University of Applied Arts from various departments, as well as cooperation partners.
As a quantum physicist, Barad raises interesting questions not only for physics, but also for art, design, technology. Her work engages with both the human and the non-human, including apparatuses of whatever kind. She considers things not in their singularity, but in their interdependence, and calls this method Intra-Actions. A multi-particle system of quantum physics – which as a whole assumes a well-defined state without being able to assign each of the subsystems their own state – is applied to humanity and expresses a new way of interpreting interdisciplinarity. Intra-Actions show the entanglement of people and nature, the material and the artificial. According to Barad, individuals do not exist prior to their interactions, but emerge through and as part of their intertwined internal relationships. Understanding this approach, it becomes clear that entangling with the Other describes the absence of one’s own existence, for existence is not an individual matter.
The installation shows an ongoing approach towards the most diverse positions on the theme Time, Space and Existence. It expresses an Agential Realism, which stands for the growing awareness that we cannot separate culture, materiality, technology, nature, and existence. It consists of a burnt tree whose branches are connected via cables and whose only remaining leaves are screens. The screens show selected positions of artists’ works. The organic structure of the wood in connection with technology and digitalization is also metaphoric. In relation to the digital content shown on the screens, there are ongoing intra-actions between tree and screens. The space installation draws attention to both the interconnections of deforestation, climate change and the exploitation of energy resources, and to the importance of art in this context. Here, art, as a seismograph of society, implies the power of renewal.
The installation would have initially been accompanied with a specially created scent reminiscent of smoke and burnt wood to echo the themes of deforestation and climate change, however, given current world events, it was decided to forgo this option in favour designing another, fresher fragrance, reinforcing instead humanity’s capacity for renewal, uplifting positivity, and hope for the future. And with pieces of coal provided for drawing on the walls, everyone can become involved.
The installation is accompanied by artist talks, performances and workshops, the so-called Opera Aperta and will be medially mediated and live-streamed by the oldest daily newspaper still published in the world: The Wiener Zeitung (feat. by Wolfgang Renner). The programme is co-created in collaboration with Georg Russegger (Academy of Fine Arts Vienna). Topics discussed are: Art, Education & Democracy; Art & The Social Impact; Digital Humanism, Collaboration & Sustainability; Art & Media Ethics, Visual Competences; Art & Diversity.
Realization: C. Gröbner, P. Scharler, M. Bachinger, R. Mateus-Berr, S. Bösker
Intra-Actions Participants
Ruth Mateus-Berr (Lead), Art 4 Science (Teresa Berr, Evalyn Blumenau, Bela Borsodi, Barbara Brunmair, Lisa Huto, Günter Koch, Heinrich Kovar, Eva König (PL), Walter Kreuz, Max Kropitz, Lukas Lach, Ruth Mateus-Berr, Franz Reisecker, Wolfgang Renner, Sebastian Seegy, Sabine Taschner-Mandl, Eleni Tomazou, Romana Zöchling), Manuel C.Bachinger, Pamela Bartar, Christina Berger, Sophie Bösker, Christina Carli, Lio Ebenstein, Cornelia Feitsinger, Carmen Fetz, Max Fink, Harald Friedl, Magdalena Friedl, Julia Fromm, Martina Fröschl, Lena Fürjesi, Natascha Gerold, Eva Greisberger, Nick Gröller, L. Vanessa Gruber, Florian Gutmann, Ida J. Hausner, Lea Heinz, Julia Hemmelmaier, Christa Holzbauer, Maurício Ianês, INTERACCT (Pascal Blikman, Barbara Brunmair, Helmut Hlavacs (PL), Fares Kayali, Jens Kuczwara, Anita Lawitschka, Zsuzsanna Lehner, Ruth Mateus-Berr, Daniel Martinek, Michael Nebel, Konrad Peters, Andrea Reithofer, Marisa Silbernagl, Melanie Strasser, Manuel Sprung, Rebecca Wölfle), Lisa Kielmeier, Klaudia Kozma, Claudia Kragulj, Nicole Krenn, Vanessa Kügerl, Lukács Lászlo, Hanna Lex, Igor Lintz-Maués, Aneta Luberda, Pia Mayer, Aurélie Mazars, Mattia Minelli, Maria Mogy, Heinrich Viktor Nagy, Pavel Naydenov, Shahab Nedaei, Ivan Pantelic, Michelle Pavonic, Ana Pluhar, Eren Puke, Gabriela Urrutia Reyes, Bernd Rohrauer, Nilufar Royce, Manuel Salomon, Valentina Santner, Wagner Felipe dos Santos, Pia Scharler, Michaela Schober, Lydia Simon, Tatia Skhirtiadze, Lea Sonderegger, Lisa Truttmann, Sebastian Robinson, Afred Vendl, Christina Weiler, Alexander Weik, Lea Wieser, Ruth Zimmermann
Opera Aperta Participants
Pamela Bartar, Ruth Mateus-Berr, Andreas Broger, Barbara Brunmair, Christina Carli, Nicole Daros, Anita Eichinger, Gert Engelbrecht, Romana Ferrari-Zöchling, Dietmar Flosdorf, Martina Fröschl, Lara Girotto, Eva Greisberger, Constantin Gröbner, L. Vanessa Gruber, Agnes Haider, Tamara Hotter, Lisa Kielmeier, Heinrich Kovar, Alexandra Leitgeb, Moritz Matschke, Franz-Xaver Mayr, Jeanette Müller, Ferdinand Nagele, Irina Nalis, Shahab Nedai, Andreas Oberweger, Günther Ogris, Anna Pech, Verena Plutzar, David Rauter, Ursula Reisenberger, Wolfgang Renner Philipp Rirsch, Georg Russegger, Pia Scharler, Eva-Maria Stadler, Miriam Sumann, Marina Trippl, Gerhard Url, Gabriela Urrutia Reyes, Alfred Vendl, Raphael Vorraber, Patricia Weinberger, Daniel Wiedemaier, Anita Winkler
